This Z 24-120mm is a marvelous general-purpose lens. It's super-sharp, handles well, is reasonably priced and covers a perfect range for just about everything. I prefer it over either of the Z 24-70/2.8 or Z 24-70/4 because it zooms almost twice as far. Personally I prefer the Z 24-200mm VR over all of these because it zooms almost twice as far Capture so much more of a scene, with clarity and sharpness throughout the entire frame. 24mm is well-regarded as an exceptional focal length for establishing expansive views, with or without subjects, and the NIKKOR Z 24mm f/1.8 S’s ability to produce edge to edge sharpness, even at its widest aperture, make it invaluable for wide-angle applications, even in low light. Buy on Amazon.com From $2,696.95. We've been spending more with the 70-200mm F2.8 VR S, a cornerstone lens in Nikon's relatively young Z-mount lineup. In the time since we've gotten our hands on it we've taken it along on local trips to the coast and around our corner of the Puget Sound area – take a look at our updated sample gallery for Other than slight bokeh differences, the 50-250DXVR matches the performance of the 70-300E. The 70-300 has a minimum focus of 30" (70-180 does 1:1 macros) Even with IBIS, VR beyond 200mm is useful. The 70-180 will do better indoors and at night. The 70-180 will reduce backgrounds better. The 70-180 can shoot portraits. Just for the record, both the Z Nikkor 24-70mm in f/4 and f/2.8 version are known to be stellar lenses. Unless your wife really need the f/2.8 aperture, I would suggest considering the f/4 Z Nikkor zoom. It's officially a "kit lens", but performance wise it's a pro class lens. . The 70-180mm f/2.8 is a relatively small, but extremely sparse, lens. On top of that, the lens lacks vibration reduction, making it the longest Nikon Z lens so far to be missing this feature. This is a big limitation when using the Z 70-180mm f/2.8 on any of Nikon’s cameras without in-body image stabilization (IBIS), which means that Z30/Z50 筆者使用這顆24-70mm f/2.8 S鏡皇約莫一個月的時間，發現它的對焦穩定性和速度都比經由FTZ轉接的24-70mm f/2.8 E鏡好，尤其是低光源的情況下。. 以前棚內拍攝模擬燈不夠亮時，轉接的E鏡偶爾會發生對焦拉風箱或明顯對焦變慢的情形，在使用這顆f/2.8 S的鏡皇後 Nikon's Nikkor Z 24-70mm F2.8 S is a fast standard zoom lens for the company's Z-mount Left To Right: Canon RF 24-70mm f/2.8 L IS, Nikon Z 24-70mm f/2.8 S, Sony FE 24-70mm f/2.8 GM. Great durability is one thing, but what about how a lens actually handles? This is an entirely different beast, and in the case of the Nikon 24-70 2.8 Z/S and its flagship-level competition, the operative word is definitely “beast”. Other than slight bokeh differences, the 50-250DXVR matches the performance of the 70-300E. The 70-300 has a minimum focus of 30" (70-180 does 1:1 macros) Even with IBIS, VR beyond 200mm is useful. The 70-180 will do better indoors and at night. The 70-180 will reduce backgrounds better. The 70-180 can shoot portraits.

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